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Now reading: Sony a6400 review 1229 comments
Introduction
Sony's a6400 is a compact 24MP mirrorless interchangeable lens camera with an APS-C sensor that will serve plenty of photographers from family documentarians to pro shooters looking for a lightweight second body. The big news is that it has a new processor based on that used in Sony's sports-shooting flagship a9 which enables 'Real-Time Tracking' autofocus, which is one of the most effective autofocus implementations we've yet seen. It's also among the easiest to use, once you've gotten it set up.
Key specifications:
- 24MP APS-C sensor
- 425-pt phase detection AF system with Real-Time Tracking
- Tilting screen, 180° up, 90° down
- 2.36M-dot electronic viewfinder
- New Bionz X processor
- ISO range from 100-32000
- 11fps burst shooting (8fps with silent shutter)
- Interval shooting option added
- 4K/30p video capture
- Mic input, no headphone output
- 410 shots per battery charge (per CIPA)
- Wi-Fi with NFC and Bluetooth
The Sony a6400 officially replaces the older a6300: it uses the same sensor but comes with some subtle enhancements aside from the impressive autofocus capabilities. It arrives in an increasingly crowded field, though, with cameras like the X-T30 from Fujifilm and the EOS M50 from Canon being similarly priced and with similar sized sensors. Do the enhancements make the a6400 the standout in this crowd? Find out its strengths - and weaknesses - in the pages to follow.
Recent Videos
The a6400 is available now for $899 (€1049) body-only, $999 (€1149) with a 16-50mm F3.5-5.6 Power Zoom kit lens and $1299 (€1449) with an 18-135mm F3.5-5.6 zoom.
What's new and how it compares
Sony's a6400 has an awful lot of refinements on the inside - take a look. |
Body, handling and controls
For better or for worse, the a6400 handles just like the a6300 before it. And the a6000 before that. |
Image quality
The a6400 takes some fantastic photographs, and in particular, has some welcome tweaks to its JPEG engine. |
First impressions
Sony's new Real-Time Tracking is really impressive, but my goodness, can't we get a front control dial? |
Autofocus and performance
Let's dive deep into the a6400's revamped autofocus system, plus we'll show you exactly how to set it up. |
Video
The a6400 is pitched as a vlogging camera, but it has some video capture shortcomings. |
Is the a6400 right for you?
We look at common photographic use-cases and see how the a6400 measures up. |
Conclusion
The a6400 is easily one of the most capable cameras at its price point. |
Sample gallery
Check out our extensive samples gallery from the Sony a6400. |
Specifications
Want the full list of specifications for the a6400? We have you covered. |
TABLE OF CONTENTS
Gear in this story
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View Comments (1229)
Comments
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Oldest first
I know this camera has been out for a while, but I just wanna hear from people who had used this for video. How controlled is the rolling shutter? Planning to get this for my video work (No plans for M/43 due to AF and not looking into full frame due to price difference here in my place). Thanks in advance.
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Sep 2, 2022permalink
I've just upgraded from an a6000. Significantly better viewfinder. Super quick to startup and focus. Feels more premium and the buttons and shutter are better damped. Excellent image quality. What DPReview seem to ignore is how compact this camera is. It's one of the main attractions and overrides any perceived ergonomic issues (try an RX10iii for awkward ergos . I find it's easy to get on with, generally, and simple to just take nice photos. I use the a6000/6400 way more than my D810, which is amazing in it's own right (but I'm not a fan of it's metering). Sony nailed this.
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Apr 21, 2022*permalink
Do you think the lower resolution on the a6100 is that big of a deal. I have astigmatism, I also have the a6100. The view finder looks ok. I am just trying to decide if I should exchange it for the 6400.
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Apr 1, 2021permalink
who can explain why A6400 has a better rating than A6600 ?! I think it is an absurd and a mistake.
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Aug 22, 2020permalink
probably simply because it cost a lot less so it is a better value. And at a similar high cost of the A6600, there are probably better options.
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1
Mar 9, 2021permalink
Sony 6400 is a superb camera in midrange as it also bagged EISA and tipa awards . I particularly impressed with the bright,crisp and very sharp pictures both in still and video . And that too without much effort.
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Feb 1, 2020permalink
Big mistake of dpreview on Specifications>videography modes.
Video formats : delete MOV and replace it with Mp4.
This camera does not export to MOV.
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Sep 2, 2019*permalink
The ISO Invariance and Exposure Latitude jpeg previews of the raw files are processed differently than from other cameras. DPR, please correct the processing mistake:
https://www.dpreview.com/forums/post/62885059
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Aug 13, 2019permalink
Can anyone tell me why the A6400 has worse (viewfinder/screen rating) , (ergonomics and handling) and (movie/video mode) scoring than the old A6300 model?
The A6400 has a touch and front articulated screen in the same body and no time/heat limit recording video!
Perhaps you have assigned a 85% limit to these A6xxx cameras?
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Jul 24, 2019*permalink
We have tested side by side the a6500 and the a6400.
The a6400 is definitely a quantum leap in colors, detail produced and the much wider dynamic range. The new processor seems to give much better range of light and dark areas, sort of lightening the dark areas and darkening the bright ones. It works wonders with Photoshop RAW. It is a keeper camera.
Maybe sometime in the future a newer model will include IBIS - sorely needed where tripods are cumbersome or not allowed.
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Jun 13, 2019permalink
sony 6400 bagged both EISA and tips awards
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Feb 1, 2020permalink
I have read in the DXO test of the A6600:
"The A6600’s nearest competitor in terms of sensor size is the one it replaces, the Sony A6500. It’s intriguing that that older model with a similar 24 MP sensor and on-chip phase detection autofocus has slightly better dynamic range and has significantly better color sensitivity throughout the sensitivity range".
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Apr 22, 2020permalink
This camera is truly extraordinary. We use it mostly on a tripod with the 18-135 or the 1018 to shoot large scale interiors (eg. museums). The sharpness of the results is hard to believe, you can see the tiniest detail of a painting that occupies a minuscule area, akin to a FF. We only miss the IBIS that the a6500 has. Otherwise it would be perfect. Beautiful dynamic range too.
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Jun 12, 2019permalink
DPreview reports that the low ISO exposure noise for A6400 is less than XT30 but I beg to disagree as shown on this one - https://www.dpreview.com/reviews/image-comparison/fullscreen?attr144_0=sony_a6400&attr144_1=sony_a6400&attr144_2=fujifilm_xt30&attr144_3=fujifilm_xt30&attr146_0=100_5&attr146_1=100_6&attr146_2=160_6&attr146_3=160_7&attr177_0=off&attr177_1=off&attr177_2=off&attr177_3=off&normalization=compare&widget=665&x=0.07052467499766626&y=-0.9974308861106901. However, despite the noise, the A6400 stills pulls out more details in the shadows anyway - https://www.dpreview.com/reviews/image-comparison/fullscreen?attr144_0=sony_a6400&attr144_1=sony_a6400&attr144_2=fujifilm_xt30&attr144_3=fujifilm_xt30&attr146_0=100_5&attr146_1=100_6&attr146_2=160_6&attr146_3=160_7&attr177_0=off&attr177_1=off&attr177_2=off&attr177_3=off&normalization=compare&widget=665&x=-1.0234575652074653&y=-0.5278862923540646. Noise is easier to clean up but lost details are harder to recover.
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May 15, 2019permalink
Respect, Sony managed to get worse than Canon in Exposure Latitude ...
https://www.dpreview.com/reviews/image-comparison/fullscreen?attr144_0=sony_a6400&attr144_1=canon_eosm50&attr144_2=fujifilm_xt30&attr144_3=fujifilm_xt30&attr146_0=100_6&attr146_1=100_6&attr146_2=160_6&attr146_3=160_7&attr177_0=off&attr177_1=off&attr177_2=off&attr177_3=off&normalization=compare&widget=665&x=-0.07750481008931405&y=-0.9625850265790026
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May 17, 2019permalink
How long can it continues shooting video without heat issue or the issue still exists.
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May 13, 2019permalink
Shot about 5 hours non-stop with it in 4K and it got a bit warm, no issues otherwise.
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Jun 6, 2019permalink
Excellent Review, Good work. A bit disappointing to see Sony lackluster results. They could have done better....... for years now. A good focusing system is not the only thing that makes a better camera.
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May 12, 2019permalink
Sony is still the biggest sponsor of dpreview I see. How about pointing out the abysmal lack of native APS-C glass? Interchangeable lens cameras are all about the ecosystem, and it doesn’t make sense to give a ”gold award” based on the body alone.
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May 10, 2019permalink
@dpfan32 not sure if you knew but you can get the Sony 6400 as a kit with the 18-135 zoom instead of the the 16-50. The 18-135 kit also comes with a 100$ lower price than buying the camera and lens separately.
I still use the Sony 6000, perfectly decent camera, but think will move up at some point to the 6400. I am happy with the Sony 20mm 2.8 and the only lenses I vaguely want are the 24mm 1.8, 35mm 1.8 and the 18-135; I don’t feel much limited in the lenses options as I don’t really need to have 20 of them.
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May 10, 2019permalink
Want a decent telephoto? You have to buy a very expensive full frame lenses. Or adapt less expensive Canon lenses which are big as well. The 55-210 I tested was absolute garbage compared to a Canon 55-250mm IS STM.
I read somewhere about black corners of the 18-135mm which can not be corrected in older Lightroom versions like 6. Black corners looks like the same problem on the 16-50, no resolution at all + too much noise from heavy vignette correction when you need to light it up a few stops.
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May 11, 2019permalink
yes, i have read up this particular lens....sorry to say, plenty of negative remarks , although there are a lower portion that gave thumbs up: only for pricing and lightweighted. sigh!
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May 12, 2019permalink
razorfish: I find it funny, as I just came from the Canon watch site, people were praising the EOS-M camera for being a great camera and they were accepting the small amount of native lenses... When a system has the lenses you need it is enough.
Sony has about 15 APS-C lenses Canon has for their APS-C DSLR line 19 APS-C lenses.That is 4 more, but there are 5 upgrades for the kit zoom lens only, so effective there are only 14 APS-C lenses for their system....
Still Canon is praised for their great lens collection, even for APS-C....
And indeed, just like the Sony E-mount you can use all your Canon FF lenses unadapted on your APS-C cameras, nobody ever complained that there was no 400mm APS-C lens from Canon....
FF E-mount leses are native lenses for the APS-C E-mount cameras, so there is a lot to choose from...
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May 13, 2019permalink
I am a micro 43 shooter. I am thinking of reducing my equipment and was also thinking to use the momentum and switch systems, especially sony A6400 for the super AF. Although I am used to the exceptional IBIS in oly and pana I somehow was willing to go without it due to stabilised zooms and 35 OSS. However, the additional aspect of electronic shutter not going over 1/4000 is the deal breaker for me. Firstly, because the 1.4 aperture of the trifecta sigma primes becomes unusable for me in normal sunlit day and secondly and more importantly this omission just makes me feel as if I have to make a compromise in this cool posibility to shoot wide open in sunlit day for the sake of it, just because sony says so, as I see no reason for them to not include it. So now A6400 is out of my options. May be if Sony comes up with their premium APS-C model before I start reducing/switching I will consider it, but then IBIS and electronic shutter at least 1/16000 is a must
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May 10, 2019*permalink
I don’t have 1.4 lenses (not a bokeh/one subject in a blurry background type of person) so I don’t really struggle with sunny days; nevertheless I usually take a circular polarizer and a 3x ND filter so shutter speed is not an issue even in the brightest of days (The 3x ND allows you to shot at 1/4000 what you would have needed 1/16000 and the 1/4000 is enough to freeze any moving subject outside particle physics labs)
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May 10, 2019permalink
I have a NEX 7.
I use manual focus and manual exposure.
I shoot raw.
My prime lens has no stabilization.
So if I ignore all the shooting features added to this new camera, is the raw image from its 24mp sensor any better than the raw image from my NEX 7 24mp sensor?
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May 10, 2019permalink
I don't think so. I bought an A5100 vs NEX 7 since I wanted tilting touch screen and 50Mbps 1080p XAVC-S video along with the brilliant touch AF-C of A5100. The A6400 is absolutely a beast in this direction; but, if you don't need stellar AF, no (unlimited) 4K video, NEX 7 is absolutely a brilliant camera.
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May 10, 2019permalink
In your spec summary, you show both the A6400 and A6300 as having Bluetooth. This isn't the case. The A6400 shares Bluetooth with the A6500 and both can conveniently use it for GPS geotagging via your smartphone, but this isn't possible with the A6300 which only supports WiFi and NFC.
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May 7, 2019permalink
I'll correct that mistake immediately. Thanks for pointing it out.
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May 7, 2019permalink
Why to have this kind of discussion? Purchase the Nikon Z6, and you're happy with it's ergonomics and fantastic IQ. Nikon rules.
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May 6, 2019permalink
I didn't have time to fully read this review (I will though, later) but I was just wondering what the battery life is like. I have an A6000, my brother 'had' an A6300 and they are both horrible on battery life. I've had my A6000 for almost 3 years ( or is it 4) and it's next to brand new because I just could not handle the rate at which it chews through batteries so I just leave it in the cupboard, I mean "it's horrifying" to see those battery life percentage numbers tumble downward so fast. I've tried every trick to fix it but nothing works. Extra batteries is NOT an answer, it's an extra expense. I have other camera's to use and they don't have such an issue..
I only hope it's much better with this A6400. The whole 6000 series is magnificent but I'd hate to think they were all spoiled by this one issue. I'm 100% sure the A6400 is the best yet in capabilities...
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May 6, 2019permalink
Thanks for the reply but I actually meant "in the real world".. I mean, I was told to expect approx 300 shots per charge with the A6000. In the real world I was scratching to get 100 shots, and even then only if I rattled them off literally one straight after the other. Messing around in the menu system could see from 100% to as low as 55-60% in less than half to 3/4 of an hour. You might ask what the heck was I doing in the menu for so long, but hey, times flies when you're having fun - well in most case it does...
Anyway, that's enough about this from me. I don't want to start anything that causes arguments. I'd love to try the A6400.. Thanks..!!!
Al
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May 6, 2019permalink
I don't know what it is that you can only take about 100 pictures on one charge with your A6000. There are a lot of possibilities that battery drainage is high.
It can be that you keep your camera switched on all the time while hanging on your neck, the eye sensor will keep telling the camera that you are using it and won't switch it to sleep mode. It can be that you are looking at the screen more then normal (I take a picture, look at the screen just to see if it is right and I switch of the camera). It is also possible that your camera or battery is not well. Did you ever tried an other battery?
I manage to get over 500 shots on one charge most of the time, but I switch off camera after the pictures have been taken, and I do not examine the pictures on the screen to much...
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May 6, 2019permalink
Not just with these Sony bodies, but with ALL mirrorless cameras, battery life is more dependent on the total time the camera is powered on and displaying with the EVF or LCD...not the number of shots you take. If you're seeing less than CIPA-reported battery life, that means you have various functions in the camera left on such as wifi, apps, and/or high sleep limits on the EVF or LCD keeping them on a long time...or you are doing a lot of viewing/playback, or taking long to line up and take shots. Battery life has improved from the A6000 to the A6300 and now to the A6400. In real life, on vacation I can see 400-500 shots per charge on my A6300 with walkaround general photography, or up to 1,400 shots per battery when doing heavy burst shooting while out birding or wildlife shooting. I can't recall ever getting less than 400 on any battery.
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May 6, 2019permalink
For me 2 batteries is usually enough for a day outside and many times one is enough. I tend to turn off the power between shots and mercifully the switch continues to work and the camera (A6000) turns on reasonably fast to take almost any picture I want.
Btw does anybody know, is the 6400 faster to power on than the 6000?
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May 10, 2019permalink
I tried all the tricks I could but nothing helped that much. I turned the EVF off, time-out was 2 mins. If I waited any longer til my next shot, I'd switch the camera off.
With all the battery woes aside though, I still recognise the potential that the A6000 crop series has, and I am sure that all the later versions are fantastic. If they truly addressed the battery issue in the A6400, this would be a great camera to buy if you aren't into "full frame". Personally, I think the camera world owes a lot to the A6000's appearance, because until then the direction of mirrorless cameras was a path that might never have been fully explored. It may have remained a side stream range, not to be taken too seriously. The A6000 gave the mirrorless camera world a jolt of electricity right up the butt, just what it needed to become a mainstream line-up, full of potential. The A7-lll & A9 has done the same for FF mirrorless world. I love my A7-lll, and woww, NO battery problems.. Go Sony..!!
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May 25, 2019permalink
Have you tried after powering the camera off, to pop out the battery and then pop it back in again. I read somewhere once the camera when you just turn it off with the switch some how is still connected on the battery, the extraction process really shuts it down. I never actually tested the performance, but you can try!
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Aug 5, 2019permalink
Tried Sony 6400 with sigma 30mm 1.4 and seen noticeable barrel distortion. Did you noticed this too?
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May 4, 2019permalink
The only thing that matters at this point in the history of new camera tech, is IS (In Body).
So, as this is one more $1000 obo device without it, lets put it back on the shelf and reach for a real camera.
Fuji X-H1.
Why settle for less?
No one should.
And if your argument against the X-H1 is...."does not let me take selfies", then plz just remain quiet, as that kind of logic is embarrassing to have to endure.
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May 4, 2019*permalink
Hmm, X-H1 vs A6400, X-H1 seems to be an abandoned line by Fuji, Very disappointing that Fuji didn't add IBIS to X-T3, totally confusing what Fuji is doing. To be honest it's equally disappointing that Sony didn't give IBIS to a $1000 camera, A6400 is not a cheap camera at all.
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May 10, 2019permalink
The FUJI X-H1 is a nice retro and big camera than can not shoot 4k video longer than 15 minutes, the AF has a limited area and lower performance than SONY, disappointing battery life and no ergonomic retro dial control mainly shooting video. I think that an APS-C system should be compact as main advantage over FF.
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Jun 25, 2019permalink
(unknown member)
Sony had often been criticized for being "an electronics company" rather than "a photography company". Well, the real liability of *all* current camera manufacturers is that they are not "software companies".
For example: the entire menu structure should be described by an XML (or JSON, or whatever) file. Mobile app should be able to download that file, edit it, and upload back. People that hate video should be able to completely disable entire sections so that they do not show up in the menu. People who want a joystick should be able to re-program the four back wheel presses to act as up/right/down/left movement of the focus point. And so on, and so forth.
(TBC)
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May 4, 2019permalink
(unknown member)
(continued)
One can only guess what rigid, spaghetti code produced by Sony coders resides in the Sony FW... But, from the look of things, even the worst guesses might be true. I had some hopes for the new Imaging Edge app... But nope, same old horrendous Play Memories Mobile, just re-branded. Only few things work at all, and nothing works well.
FW updates must be OTA (WLAN), available with a single press of a button. What Sony makes me go through instead is mind-boggling. And so on, and so forth.
I'm speaking about Sony here, but that's just because it's what I (currently) use and thus know well. I'm not aware of any camera manufacturers that do SW any better.
(TBC)
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May 4, 2019*permalink
(unknown member)
(concluded)
I write about this utterly cr@ppy state of camera FW/SW every now and then, and one response that I get most of the time is "but these are cameras, their primary function is taking images!" Well, guess what, "primary function of mobile phones" used to be phone calls, until Apple showed everyone how it's done.
So I can only hope that some manufacturer does wake up, smells the coffee, fires their entire SW development dept, and buys a *software* company that knows its stuff. Or maybe it will the other way round -- now that the market is in quite some turmoil... Until then, we'll just keep seeing that constant stream of bad market news, and constant moaning of how mobile phones eat everyone's cake.
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8
May 4, 2019permalink
(unknown member)
@quiquae
> the last thing we need in a camera is a user-editable config file.
As someone using Linux desktop, I agree!
However, I never said "user-editable" [XML/JSON]. It should be editable (implicitly!) by the Sony Imaging Edge mobile app, using some nice UI.
The point is that camera menus should not be further cluttered by all these customization options. Besides, it'd be way easier to do all customization on a [much] bigger tablet screen, with multi-touch and all other goodies.
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May 7, 2019permalink
@vadims
It’s still a bad idea: good UI means you have sensible defaults to begin with, so that little or no configuration is required for most users. If you need an external app to configure a camera to your liking, you’ve already lost the battle.
Just to make myself clear, I am a Canon user and think its UI is, at best, only slightly less horrific than Sony’s.
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May 7, 2019permalink
(unknown member)
@quiquae
> good UI means you have sensible defaults to begin with
Completely agree.
> If you need an external app to configure a camera
> to your liking, you’ve already lost the battle
I beg to differ.
External app is better in two respects: a) would not further clutter already busy camera menu, b) would be simply more convenient: my phone has 7.2" inch screen with multi-touch support, polished UI primitives etc.; we won't have comparable capabilities in cameras for decades, if ever.
Now, the "already lost the battle" part.
I heavily customize every mobile I get: I consider stock UI barely usable at best. And I'm talking about usability, not fancy wallpapers and such: I replace default keyboard, change soft keys etc. Most importantly, I remove lots of pre-installed apps, and heavily rearrange the rest. Last time I had to create "Huawei crap" folder and move there non-removable apps ("out of sight"). W/o all that, the bloat would be unbearable.
And voila: I "won the battle".
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May 7, 2019permalink
(unknown member)
> External app is better in two respects <...>
BTW, I do agree with you that if we have to battle with the UI at all, something's definitely wrong. No question about that.
My point is that great UIs are few and far between... And more often than not, we just *have* to use customization features. If the UI is sub-par *and* we cannot customize it to our liking, *then* it's a lost battle.
To ask a company like Sony to produce perfect UI might be too much. But they definitely could open up APIs for third parties; instead, they went with their half-asked custom apps, and then shot down even them. They were smart enough to open up E mount protocol, but their wisdom ended there, alas.
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May 7, 2019permalink
I appreciate Carey's a6400 AF setup guide, but after a session with a B&H Sony tech, we finally concluded that the only way to prevent the camera from automatically changing to tracking was to change Focus Mode to AF Single-shot. This also seemed to be the only way to lock focus and recompose (that works reliably, so far).
But then, if someone walks into a static scene and you quickly want to track them, you have to use a custom button set to Focus Mode and change it back to Continuous, and then use another custom button to initiate Face Priority.
This is what he suggested. It's not intuitive, and it's not fast.
I want a simple tracking on/tracking off toggle function (w/o using the touch screen). Sony has a great focus tracking system but stupidly has not provided quick/easy implementation.
(And setting 'Tracking On' to a custom button doesn't seem to work in most modes.)
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May 4, 2019permalink
Back button focus. Set customizable button to “AF on” and focus mode to AF-C. Press and hold button for tracking. Press and release to focus then recompose.
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May 7, 2019permalink
In my experience, the AF worked so well that I never really needed to focus-and-recompose. With the tracking, you're focusing-while-recomposing. But as mgreenfield has suggested, you could always swap to back-button focus, but I find that AF button a bit fiddly myself.
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May 10, 2019permalink
I've ordered the a6400 with the 18-135 zoom but also need a very sharp and fast fixed lens. Any recommendations?
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May 3, 2019permalink
I might not be able to help now, but I'll ask some more questions to get a better idea of what you're looking for. About what focal length? And would a full frame lens be okay? Is there a price range you're thinking of? I love my 85mm f/1.8 on full frame, but it might be too long to be a useful focal length for you.
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May 4, 2019permalink
Me too. greetings. After reading about how inexpensive some compatible lenses are, and the common phrase: "IT'S A GOOD BUY or VALUE FOR MONEY"" I've to boil down to this; getting a cheap lens to suit some wallets isn't really about photography. correct me if I'm incorrect or blunt. The A6400 is indeed a very good camera by it's class. However when i bought the 55-210 OSS lens (which is indeed cheap by that price rate) it is quite a let down. the results are not that crispy when zooming to the max to catch that bird under tree shades. now i hope to get one better telephoto E-lens to replace it to restore my peace. thank you.
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May 10, 2019permalink
What focal length are you looking for? The Sony Zeus’s APC 24 f1.8 is plenty fast and very sharp.
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May 10, 2019permalink
Thank you for responding. I always like nature shooting.,birds, insects.,crawlies etc. Not so much for crowded situations. I wish to have a fast or lowlights telephoto lens, perhaps, not exceeding 300mm , otherwise it could be heavy for my slightly handicapped shoulders. Do you have any advise on this? Thanks again Cosmar.
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May 11, 2019permalink
As a former A6000 fan, I'm so bored with the form factor of the A6X00 series I cannot get excited to go for the latest partially crippled variant (no IBIS etc.), If I was to be tempted I would want the all-in bells n whistles version. I'm sure it will sell like the hot cakes though.
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5
May 3, 2019permalink
(unknown member)
@Paul_B Midlands UK
> As a former A6000 fan, I'm so bored with the form factor of the A6X00 series
As a current a6x00 fan, I have a6000, a6300 (bought for my son), and a6500.
With 18-135 (bought two of these, for myself and my son), any of these bodies represent perfect walk-around combos, reminiscent of F717, with which I had love/hate relationship (great concept, but ISO100-only and no AF to speak of).
Rangefinder-ish body is great for compact primes (of which I have... plenty), too.
> If I was to be tempted I would want the all-in bells n whistles version
What would make me buy another Sony APS-C is a6400 (AF) with IBIS, GPS, Z battery (2x the juice), and great mobile integration -- current Imaging Edge is just as horrendously lame as Play Memories Mobile before it.
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May 4, 2019permalink
As a enthusiast A6000 user I like the way Sony keeps the new cameras have the same form factor, it makes switching so much easier!
Think what many people will tell when the form factor changed, not the small "rangefinder" style any more.... many people love the small and good design of this little camera just for what it is, small and good...
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May 6, 2019permalink
Sigma 16-30-56 trio is the best affordable compact prime combo you can get on any aps-c system today,
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May 3, 2019permalink
(unknown member)
@4sofnature
> Sigma 16-30-56 trio is the best affordable compact prime combo
Sigma 16/1.4 is anything but compact -- think about it: it is almost exactly the size/weight of the Sony 24/1.4 (FF!). Length and filter thread are *exactly* the same.
I bought 30mm and 56mm Sigmas (great lenses!), but passed on the 16mm behemoth.
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May 4, 2019permalink
What I have been always amazed at, is how these camera manufacturers manage to produce multiple cameras with different cool features, but fail to offer a single one which would combine all these features.
Now a6400 has great AF. Cool? Yes, cool!
BUT WHERE the heck is IBIS???
Why am I forced to choose between a6400 and a6500 with IBIS but worse autofocus? Even low-end m43 cameras have very decent IBIS now, why not a6400? That's just ridiculous.
The same for Fuji X-T3 and X-H1. AF vs IBIS. These companies just don't realise, that people look at this, torture themselves with this tough choice and finally decide that it's just better to buy Oly E-M1 mark ii or Pany G9.
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May 3, 2019permalink
There can be no perfect camera, from both the financial and physical stand point. It is financially unfavorable for camera manufacturers to give you one single camera that lasts 5 years, and so is it physically impossible to implement M43 IBIS in a full-frame body.
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May 3, 2019permalink
Yes, Marketing departments do whatever they can to obstruct engineering to introduce the perfect camera to the market - this will hurt sales for decades as nobody will be upgrading.
Better sell under-engineered stuff that you will want to replace in couple of months.
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May 3, 2019permalink
This is the same reason why A7siii and A7000 could be the best camera but Sony continues to postpone their release, not because like they say "the engineering is not ready" or they want to "over-accomplish user expectation", but because people will stop buying the already best-selling, market-dominating A7iii and A6400.
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May 3, 2019permalink
If every camera model had everything they would all be equally expensive. The manufacturers need multiple models at different price points to attract as many customers as possible, and that's why every model has its own unique mix of features and capabilities. Sure, they could make the perfect camera, but it would be expensive. That said, I'm sure the a6500 successor will get the faster processor that's required for the improved AF.
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May 3, 2019permalink
they cripple something, they want you to desire the massively improved 'sidegrade' (maybe not upgrade) as it has some 'I absolutely must have' features but with a new cripple somewhere else that will irk and irritate real-world. Meaning you will be on the upgrade path once again, oh 9 months later. Welcome to the Sony merry-go-round.
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Aug 5, 2019permalink
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May 3, 2019permalink
"Brand bashers" lmao give me a break.
Ergonomics and SOOC colors are important to some people even if they aren't important to you.
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May 3, 2019permalink
Yesterday did some testing in the local shop Sony 6400 vs Fujifilm xt30 and got lots of Out of focus photos with xt30. Sony was much better. Also tried Sony A7ii and end up buying A7ii as the price was the same as with Sony 6400 and for sure in my book A7ii is better camera(minus AF of course). Sony 50mm 1.8 was great surprise too. Excellent photos from such cheap lenses. Sigma 30mm 1.4 was disappointment: barrel distortion
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May 3, 2019*permalink
Been saving my pennies for an eventual E-M1 Mark 2, but now I'm forced to ask myself ... why Sony isn't in the running?
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May 3, 2019permalink
I feel the same way as M43 users. M43 forum ♥ to brag about Olympus IBIS, while never addressing Olympus weakness in (1) poor lowlight (2) poor dynamic range (3) poor Continuous AF (4) inferior video specs. I don't want to abanon M43, but so far M43 has DONE NOTHING to address its core weaknesses. Sony + Fuji has show us that mirrorless can do Continuous AF without excuse in 2019. Gone are the days when poor C-AF is acceptable in any mirrorless camera. I wish M43 can catchup & add similar Real Time Eye Tracking AF. Continuous Video Tracking is now becoming the benchmark of any camera, and those won't can't do C-AF reliably will died.
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May 3, 2019*permalink
The a6500 has been out for ages, so why just consider Sony now?
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May 3, 2019permalink
For the amazing focus tracking, for the first time in an APS-C camera. I am happy with Olympus for most things. Dynamic range is only a stop or so difference, no big deal. But AF, especially AF-C needs a lot of improvement. Sony is leading the way.
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May 3, 2019permalink
Er, 007Peter, surely IBIS is exactly what “M43” has done to address a major part of its “core weaknesses” ?
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May 13, 2019permalink
Like portability of my new a6400, but it’s not simple...
Sony, this is not simple:
- There seems to be no easy way to toggle between tracking and not tracking. At least two button presses are required to cancel tracking or initiate tracking because it automatically changes to tracking in Continuous Focus mode. (I do not like to use the screen to initiate tracking.)
- Also, focus hold doesn’t seem to be possible in Continuous Focus mode. Meaning two more button presses to lock focus and recompose.
- Setting ‘Focus Tracking’ to custom button doesn’t seem to work in most modes.
- A ‘Cancel Tracking’ message pops up in EVF sometimes after shooting but it’s difficult to actually make it happen. Takes several tries.
The focus tracking system is amazing, but why is it so difficult to toggle in and out of?
Bad/dumb Sony.
PS, just not a fan of EVF so far.
May 2, 2019*permalink
You simple want back button focusing, don’t you? The camera doesn’t seem to be the limitation here...
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May 3, 2019permalink
Unless I'm misunderstanding your complaint or how the camera works, won't back button focus, as mentioned by LookintotheMirrorlessoften suggested, work? Assign "AF on" to a customizable button and set the camera to AF-C. Then, when you hold the customized button down the focus will track and when you release the button it will stop.
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May 3, 2019permalink
thanks mgreen, I started with back button focus and it seemed to complicate everything. I'll try it again, but it seems the only way to lock focus (and recompose) while avoiding it automatically changing to tracking (not only people but moving leaves, anything moving) is to toggle back and forth between Single Focus mode and Continuous which is an extra step.
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May 4, 2019permalink
I just checked, and it works as I described. To ensure no mistake, I used a shallow DOF, initially focusing on a subject 5 feet away at 135mm/f5.6. I pressed the back button customized to be "AF on," let go, and recomposed. The recomposed shot (across a large room) was completely out of focus. I then pointed the camera back to the subject I originally had focused on, and it was in focus.
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May 6, 2019permalink
The fundamental problem with Sony, and especially the E mount still remains. The kit zooms are the bottom of the barrel, compared to kit zooms form Fuji, Panasonic and Olympus. The primes from Zeiss are very good, but very expensive compared to the very good and less expensive primes from Fuji and m 4/3. If I wanted to have a 3:2 format crop sensor camera I would have to go with Fuji. If I wanted a 4:3 format camera I would go with Oly for stills and Panny for video/stills. Frankly, I think that the JPEGs coming out of the PEN F look better than this Sony up through ISO 3200.
So, Sony would be the last choice.
Now, the Sony FE cameras are a different story but boy, the lenses are expensive.
I am very tempted to pick up one of the older Sony A7 bodies to use with my old Pentax screw mount and Leica M mount lenses.
I honestly have a hard time seeing who these Sony E mount cameras appeal to in view of the competition.
TEdolph
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May 2, 2019*permalink
Most people getting the A6400 will get the Sony 18-135/3.5-5,6 OSS ($500) or the Sony 18-105/4 OSS ($550) as their kit zoom. Both are perfectly good kit zooms. The 18-105 is the better lens: very sharp, constant f/4 aperture, non-telescoping. But the 18-135 has more zoom range and is more compact. Both are affordable, and most people would be perfectly happy with either one. I own the 18-135, but I have used the 18-105. I really like the 18-105, but I just wish it wasn't a powered zoom.
I also shoot Fuji and I have the XF 18-55/2.8-4. That's a great lens: compact, fast, sharp. But it has very limited zoom range. Fuji also has an 18-135, but it's pricier at $800 ($300 more than Sony's).
As for m4/3, well, it's m4/3 format. Not everyone wants 4/3 format.
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May 2, 2019permalink
Lots of zoom range is not appealing to most amateurs. If you want lots of zoom look at a Sony r100 or LX1000, etc.
As for format, 4:3 can be very attractive to people who print. It is a perfect match for 5x7", 8x10", 8.5 x 11" 11 x 14" and 16 x 20" with no cropping. To fit those prints, you have to crop a 3:2 format APS to the point where the sensor is the same size as the 4:3 sensor cameras so all the sensor size advantage goes away.
TEdolph
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May 2, 2019permalink
@tedolf - "Lots of zoom range is not appealing to most amateurs."
I don't know what you mean by "lost of zoom range", but I do know that the 18-135 zoom range is quite popular, which is why practically every manufacturer makes that zoom range now. Sony (for their APS-C mirrorless), Fuji (for their APS-C mirrorless), Canon (for their APS-C DSLR), Nikon (for their APS-C DSLR) all have 18-135 APS-C zooms. Canon introduced an 18-150 zoom for their EOS M system a couple years ago. Why the ubiquity of this 18-135/18-150 zoom range? Because zoom range is appealing to most amateurs.
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May 2, 2019*permalink
@tedolf
I tend to agree with you. That Sony 16-50mm is a disgrace. Sure, the 18-135mm and 18-105mm are better options, but with M43 you get the very decent 12-60mm cheap as part of a kit. Not quite as much reach, but I prefer the wider angle (24mm vs 27mm equivalent).
The other thing with M43 is you get cheap, fast primes that are stabilised with IBIS on bodies like the G80/85 and G90/95. That more than makes up for a slightly smaller sensor and makes it better for video. Unfortunately though tracking AF can't compete with the A6400.
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May 2, 2019permalink
@tedolf
pfff! You own pentax and leica anything? Why didn't you say that rightaway?
It would have saved everybody the time to read through the rest of your nonsense and statements such as: " (I) have a hard time seeing who these Sony E mount cameras appeal to" and "I couldn't care less about tracking AF", etc.etc.
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May 3, 2019permalink
The full-frame e-mount lenses work beautifully on the A6400 and other APS-C bodies, and some are sufficiently small-sized. Including the FE 28-70 kit lens, which weighs only 295 gm. (DPR have failed to change that spec. although being notified of that several times.)
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May 3, 2019permalink
You’re right that the emount doesn’t have 2,8 zooms for apsc, but a 2.8 zoom on apsc doesn’t makes sense to me, when you could use full frame anyway. Sonys apsc line is all about compactness for now, maybe it will change in the near future. But when people are complaining about the small 16-50 I can only laugh at them, because it’s tiny and totally inexpensive as kit. It may be not a pixelpeepers dream but it gets you going and you could still take great images with it.
The 18-135 is decent too and very compact, but in my opinion I would rather have the 16-70. I had both.
The tamron 28-75 works also very fine with it... as does every other ff lens
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May 3, 2019permalink
I just bought the sigma dn 19mm f2.8 lens for $137, try finding a similar prime that cheap for x mount or fe mount. I plan to get the 16 f1.4 from sigma next, that costs less than half of the fuji 16mm prime. I went back to apsc, sony in particular because I want great value per dollar spent.
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May 3, 2019permalink
@photomedium:
Huh?
@toth:
Yes, the Sigma primes are great values and good lenses. Those same lenses are available in m4/3 mount too. I strongly suspect Sigma makes some of the m4/3 lenses, e.g. the Olympus 75mm f/1.8 (it looks like a Sigma cosmetically). It is the Sony lenses that are either cheap and nasty, or expensive and nice.
tEdolph
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May 3, 2019permalink
Serious question .. how do my "old" Sony A850 and A77 cameras compare for stills IQ?
The smaller form factor and most of the technology changes are unimportant to me. Plus I have many "pro" or "top amateur" lenses in my arsenal.
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May 2, 2019permalink
You loose about 1/3 of light through the mirror and the bsi sensors are a bit better at high iso anyway. The real question is what lenses you want to use on emount
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May 3, 2019permalink
(unknown member)
@ LookintotheMirrorlessoften. 1/3 stop of light loss is not visible when you compare real world work, not even at ery high ISO (yes, tested, with large prints).
Many use auto exposure. Then the light meter will mostly be fooled much more than 1/3 stop, compared to perfect raw file exposure.
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May 3, 2019permalink
"We generally keep AF-C enabled, enable face and eye detection in the menus, then select the Tracking: Flexible Spot M focus area. With this setup, you can move the Flexible Spot around using the touchscreen, and once you half-press, the camera will begin tracking whatever is underneath it. If it's a person, the camera will automatically transition to face and eye detection. If it's another object, it will track that object; even if there's a person in the scene."
Question: Will it track the face once it moves away from the Flexible Spot? On my a7III/a7RIII with firmware 3.0 it doesn't. Moving the Spot every time I recompose is a non-starter, especially given the poor touch response. So, I default to wide-area, and if I want to pick a subject, I press the Multi-Selector to activate a Recall Custom Hold that switches to Lock-On Expand Flexible Spot. The only issue is that I can't move the Spot, so I have to center, half-press, and recompose.
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May 2, 2019permalink
Dear Sony, if you want me to part with ~ $1,500 please upgrade the following for the a6500 successor:
- call it the a7000 (because it sounds cool and links it to the A7 line)
- 4K 60p
- larger battery
- IBIS
Thanks.
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May 2, 2019permalink
What is lacking in IQ for this camera as opposed to it's peers? Your comment makes no sense.
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May 2, 2019permalink
It looks like from the one button AF/M that shooting difficult AF shots will be easier than I thought. One curiosity is if this button works with the 18-135 Sony lens as there is the AF/Manual button on the lens. I would hope that the a6400 would overwrite the exercise of having to manually switch. Know?
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May 2, 2019permalink
Yes the AF/MF button overrides whatever your lens switch is set to. I never use my 18-135mm switch and just hit the body button.
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May 2, 2019permalink
To the best of my recollection nothing happens when you move the MF wheel in AF. You should be able to check whether the manual focusing on this lens is focus-by-wire or direct mechanical focusing. I believe this is a focus-by-wire lens.
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May 2, 2019permalink
Looks like a great camera. But I can’t see the IQ improvements DPREVIEW mentions, even compared to the old a6000. I looked at the studio scene. No improvement at low or high ISO. I guess the a6000 was already doing pretty well.
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May 2, 2019permalink
(unknown member)
This is a reasonable observation. Sony released the 16 MP EXMOR APSC sensor around 2010 as I recall. This pretty much pushed the quantum efficiency of Bayer sensors about as far as they could go.
Since then there have been improvements around the edges, like BSI, readout speed, OSPDAF, and so on, but relatively tiny improvements in IQ.
Unless you need better AF, better EVFs and faster operation, there isn't a whole lot of incentive to upgrade your camera. Hence the ILC market is suffering a downturn - the victim of its own success.
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May 2, 2019permalink
I’ve had my a6000 for three years now and I am continually finding that any shortcomings in the photos and videos it produces are due to the operator (me). True, the ergonomics could be better, but even then I know my settings and button layout so well that any changes I need to make are relatively fast. In short, the a6000 is still an amazing camera.
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May 2, 2019permalink
I have 2 of them, I used to really love them but now I find them so boring I rarely bring them out. Once I bought the Leica Q I discovered how nice to use a camera can be and that minute, I ceased to like the 6000 at all (even though I know the 6000 can take great pics). I hate the noise it makes, I'm so sensitive to that since Q just whispers, or less. Form factor in the 6 series remains a big put-off for me. For some reason I didnt sell my 6000's they sit unused on the shelf, as I know occasionally I need something which is not 28 mm (Q focal).
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Aug 5, 2019permalink
Had a Sony A6300 and ditched it for the same cons mentioned here. As unscientific as it sounds, "unengaging photo experience" really is what bothered me the most about this camera. It's a "tool", and a damned good one, too, but I never looked forward to picking it up and it did not inspire me to be creative and trying to make photographs instead of snapshots. As Rishi wrote, it becomes more of a point-and-shoot - and I do believe, actually, that that's a bad thing, at this price point.
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May 2, 2019permalink
Either you DPR guys have enormous hands or you are contractually compelled to find some way to bash Sony. The a6xxx cameras have been around for at least 5 years. How can you still not find some comfortable familiarity with the controls?
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May 2, 2019permalink
I guess if DP were being paid they'd have claimed auto focus was sub par too. Ergonomics and menu layouts on Sonys have been criticized by reviewers and users for years. It's not DP's fault.
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May 2, 2019permalink
@zxaar,
Neither is layout, menus and ergonomics subjective either. There are many cameras out there to compare with and form an objective consensus.
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May 3, 2019permalink
@wheatfieldsoul
So why isn't a "objective" standard of menu, layouts etc for non-sony cameras. Are you claiming that its only you who gets it and everyone else in the business is just dumb. There is not any objective consensus in anything you said. Heck companies even can't decide on single mount size.
Ergonomics is quite subjective otherwise since i am good with sony's ergo everyone else has to be.
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May 3, 2019permalink
At least it has a grip... can‘t say that about fujis
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May 3, 2019permalink
Personally, I don't have a problem with the menus at all. I use custom Fn settings and reassign buttons too, and "My Menu" for the items that I sometimes use but not enough to put in Fn, and also for the items that are impossible to put in Fn, such as compressed/uncompressed raw.
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May 3, 2019permalink
"Default JPEG colors aren't our favorite"
You guys are so kind, thanks for the excellent review!
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May 2, 2019*permalink
I guess dpreview would rather just shoot in Raw than use default colors on the Sony. Unless there is a way to change the default settings for jpeg. Canon and Nikon colors generally look good both in jpeg and raw conversion in latest models I think.
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May 2, 2019permalink
@Adrian-Van sony jpeg customisation is actually quite extensive through picture profiles each of which also has three adjustments + arbitrary shift in WB. I went for "Clear" jpeg setting, turning up the saturation +2 contrast +1 and sharpness -2 + WB shift of two steps to the right then one down on the auto WB. Close enough to Fuji's classic chrome :) Have seen settings to mimic portra/astria/velvia films via this route too. The problem with sony's jpegs is that the default profile is too neutral and others too funky so people get upset. Even simple tweaking of the default PP makes miracles though :)
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May 2, 2019permalink
Yeah noticed when I got mine (first sony purchase, and VERY happy for family/kids photos with this thing) I noticed I didn't really like the skin compared to my Nikon, but yeah, lo and behold, a few clicks around on the profiles and yay, much better. I will say, that's a -deep- menu system they have, haha. My Nikon was pretty old, so I expected it to be a learning curve. I take this thing everywhere, it's got me shooting again, so that's something!
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May 2, 2019permalink
Being a Fujifilm shooter, I must give kudos to Sony for releasing what seems to be a fantastic camera that will certainly compete with the Fujifilm X-T30. The a6400 scored neck-and-neck with the X-T30 and both received the Gold Award. Good job Sony and Fujifilm.
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May 1, 2019*permalink
are you condemning the fuji for not having a narcissism mode.... ? err screen ?
lets warn all the 12 year old girls out there of fujis selfie defect ! and never ever mention sonys ....ahem...... menus
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May 2, 2019permalink
umm it was dpr in the latest comparison between fuji and sony midsize models where we were reminded of sonyys weaks poorly orginized menu
ok??? flips flippant remark calling fuji"crippled" prompted my remark... reading the whole thread is your friend
since i dont own any sony cameras , i dont need to master their awful menus ,, the ones dpr have been mentioning since the sony Nex 7
many years ago
DPR in 2011:
"The NEX-7's menus are based on the original NEX-5's, just adding more options on top. Which is another way of saying that they haven't had the best start in life, and haven't really got any better. The overall result is a rather confusing mashup of options, with little appreciable semblance of
organization."
8 yrs later, dprs STILL mentioning menu issues in the 6400
so there s that.............
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May 2, 2019*permalink
(unknown member)
I believe that a year or 5 ago (or longer) the old NEX GUI was replaced for the same kind of GUI as can be found in the A-mount camera's. Should work just fine after a small period of get used to. But I have never used them.
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May 2, 2019permalink
@cosinaphile - "are you condemning the fuji for not having a narcissism mode.... ? err screen ?"
Seriously? You have issues with people wanting to capture memories of themselves in photos? Without this desire to capture oneself in photos, the photo industry would have probably died a long time ago. It would probably be some very small niche hobby, like landscape painting! So don't belittle people's desire to capture themselves in photos. And don't belittle cameras that make this task a little easier, because smartphones have made it easier and smartphones have been able to kill off a lot of the camera market!
The flip-up screen is also desirable for anyone who wants to capture themselves in video, like for vlogging. There are plenty of people out there capturing themselves in video, whether it be for personal use or for creating your own Youtube channel.
The more these cameras appeal to a wide range of users, the more these cameras have a chance of surviving in the market.
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May 2, 2019permalink
in a different better world genuine cameras would not judged for their prowess as selfie cameras.ever, an articulated screen is used by serious people for other reasons ..cellphones already work great for this
so i could care less, yet since you ask if i ever get a hankering to do a sellfie, i would sensibly use my fujis camera remote to frame and fire, and while connected could instantly transfer said selfie to post to instaface or selfbook
to your second point about not having selfies would have relegated photography to a hobby?
umm no , for portraiture [ real] for documentary use , for reporting for
legal for creative aesthetic, for art itself,..... photography has had, and will have a genuine use
selfies make cameras more relevant for current trends , but better to have instant connections to ones phone and a clearly accessable library as convenient as ones own cellphone album for social media use ... a mush more important and blatently missing feature in cameras
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May 2, 2019*permalink
FWIW I don't own either Sony or Fuji. I do have cameras with "selfie" screen (both fully articulated and top-flip). I rarely use them for actual selfies, but I do use them very often when filming (especially talking heads / interviews) as the talent prefers seeing themselves while filming. Alternative would be a cage with external screen or view ona an app on a smartphone, but this is so much easier in real life.
YMMV.
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May 2, 2019permalink
Cosinaphile, I hate narcisitic people, I hate this "Genaration Me", but I need a fully articulated LCD to make my own videos, to frame myself in picture, to watch the exposure, etc, and also to protect the LCD from scratches, for instances...
All professional video cameras for video have a fully articulated LCD. Can you explain me why? Is this a professional feature, this so called narcisitic feature? Or are professional videographers more narcisistic than consumers? Camcorders have fully articulated LCD since 2000s... my old handycam has it... and it shoots SD video, on a tape... this is stupid??!!?
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May 2, 2019permalink
@cosinaphile - "i would sensibly use my fujis camera remote to frame and fire, and while connected could instantly transfer said selfie to post to instaface or selfbook"
Sure, the Fuji smartphone camera remote app is great. But can you look at your smartphone while looking directly at the camera, and not have the smartphone in the frame? That's where a fully articulating "selfie" screen is so helpful. Besides, LCD screens are already articulating. What's wrong with having them articulate a little bit more so they can rotate 180 degrees?
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May 2, 2019permalink
i hearby give up , i concede that for blogging etc , such a feature is important ...if a cameras gonnas do good video which many a camera can do now then such a feature is useful and yes , in a professional sense
consider me convinced and converted .. ive seen , so to speak , the light [ of a screen that can do a 180]
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May 3, 2019permalink
It is good when one sees the light of things :) You see, it is handy, and brands are just making a great deal out of it... It is like the 3.5 mic input, which they take away, and adamantly refused to include in their cameras for some time...now at least they went back on this, thankfully... it is a marketing strategy so you buy an more expensive models... The other day I try doing a home video, a birthday cake celebration, with all family in picture... everything was set... when I look at the footage, I don't know why, but the camera lock focus on a wall behind us... everything was out of focus...everyone got frustrated :(
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May 3, 2019permalink
Complaining about the flip-up screen being in the way of your hot-shoe mic is about the whiniest thing I’ve thing I’ve ever read. What a bunch of babies.
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19
May 1, 2019permalink
Get this fix for the mic:
https://www.youtube.com/watch?v=C37Y6C4AImI
https://www.smallrig.com/smallrig-cold-shoe-relocation-plate-for-sony-a6300-a6400-buc2317.html
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May 1, 2019*permalink
It’s a valid concern for anyone who wants to use an external microphone while recording themselves. Reduces the usefulness of the flip up screen in that situation.
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May 2, 2019permalink
More about gear in this article
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1 month ago
What’s the best camera for around $2000? This price point gives you access to some of the most all-round capable cameras available. Excellent image quality, powerful autofocus and great looking video are the least you can expect. We've picked the models that really stand out.
1 month ago
What's the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we've rounded-up several great cameras for travel and recommended the best.
Nov 23, 2023
If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.
Nov 17, 2023
'What's the best mirrorless camera?' We're glad you asked.
Nov 13, 2023
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
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7Artisans has released a new 50mm F1.4 Tilt lens, available for Sony and Fujifilm APS-C cameras, as well as Panasonic and Olympus Micro Four Thirds cameras.
Fujifilm US's free-to-enter raffle is now open, offering the chance to purchase a Limited Edition X100VI.
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Blackmagic Designs has announced the Pyxis, a $3000, 6K full-frame (36 x 24mm) modular video camera. It will be available with PL, locking Canon EF or Leica L mounts.
Who wouldn't want to use the IS mechanism they've paid for to squeeze a bit more resolution our of their camera? People like Richard Butler, who question the effort/reward balance they offer.
Apr 18, 2024137
We took the Sony FE 16-25mm F2.8 G to the streets of Seattle. And then to the library when the rain robbed us of sunshine.
Apr 17, 202419sample gallery
Sony has announced the FE 16-25mm F2.8 G, a compact, fast wide-angle lens designed to complement its recent 24-50mm F2.8.
The Blackmagic Ursa Cine 12K is available now, starting at $14,995.
Apr 15, 202448
"We have not made any significant progress since last year," says Sigma owner and CEO Kazuto Yamaki, when asked about the planned full-frame Foveon camera. But he still believes in the project and discussed with us what such a camera could still offer.
Apr 15, 2024136
The Legacy Survey of Space and Time camera recently completed by the US Department of Energy's SLAC National Accelerator Laboratory risks making your camera setup seem inadequate.
Apr 13, 2024137camera news
In this first article of a new series, globetrotting landscape and nature photographer Erez Marom takes us to the island nation of Madagascar, sharing his experience photographing lemurs and chameleons.
Apr 13, 202421
With similar goals to its standalone Ninja monitors/recorders, the Phone Ninja connects a camera's HDMI out to a compatible iPhone for live view, recording, live streaming and file transfer.
Apr 12, 202459
The best of the best from the DPReview community, see our favorite photos you made from the North American eclipse.
Apr 12, 202488
The manual Lux Elf Retro uses a single-point hot shoe, making it compatible with most camera systems.
Apr 11, 202474
Trying to get your hands on the Fujifilm X100VI Limited Edition? The Conservation Alliance is auctioning one as a fundraiser, bundled with products and services from Peak Design, SmugMug and Flickr.
Apr 11, 202457
The Panasonic Lumix S5II launched the second generation of Panasonic’s full-frame mirrorless camera system and was the first Panasonic to feature phase detect autofocus. As our review reveals, it’s a heck of an all-around camera for both still and video shooters.
Panasonic has announced forthcoming firmware for its Lumix DC-S5II and S5II X that will add a series of features, including pre-shot buffering, proxy recording and direct upload to Adobe's Frame.io collaboration platform.
Apr 10, 202463
The EOS R50 vlogging creator kit repackages the existing camera, a lens tripod grip and a remote control.
Apr 9, 202443
Viltrox goes ultra budget friendly with the latest fast prime lenses for X-mount and Z-mount.
North America will experience a total eclipse today, gradually turning a band from Mexico to Canada as dark as night as the moon's shadow casts across the Earth below. If you're not in the path of the total eclipse and still want to see, fret not, we have you covered. Check out the live stream!
Apr 8, 202418
OM System's focus on outdoor photography isn't just about wildlife and "adventurous" photography, its VP for Brand Strategy and Product Planning tells us.
Apr 6, 2024285
On Monday, April 8, 2024, a total solar eclipse will cross North America. If you plan to photograph the event using proper safety precautions, enter your photos into our DPReview Challenge for a chance to be featured in an upcoming Editors' Picks gallery on our homepage.
Apr 5, 202429
Scientists are hoping for a large set of images to aid research on measuring the shape of the sun and testing theories of gravity and relativity.
Apr 4, 202421
Sigma 50mm F1.2 DG DN Art is a fast sub-$1500 prime lens for Sony E and Leica L mounts. We got our hands on the lens to see how what it offers.
Apr 4, 202474
TTArtisan has announced the launch of its AF 35mm F1.8 lens for Sony’s APS-C E-Mount cameras. Costing less than $150, this “nifty fifty” equivalent adds another option for anyone looking for a budget prime lens.
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You don’t have to break the bank to unlock new potential from your camera.
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Nikon's Nikkor 28-400mm F4-8 VR is one of the most flexible zooms ever made for a full-frame system. Having had a chance to shoot with it a little, we take a look at what it offers.
Apr 3, 2024129
Several models, including the recently released X100VI, receive bug fixes and minor improvements.
Apr 2, 202424
As we bid March adieu, it's a good time to take stock of the wealth of new cameras and lenses announced so far this year. Here's a list of everything we've seen, updated for April 2024!
Apr 2, 2024151
April Fools Day pranks and internet media go together like butter and toast. During our 25th anniversary year, join us as we look back at some of our favorite gags.
Apr 1, 202448
Landscape photographer Erez Marom shares a story about mistakes, drone crashes, coincidences and a resulting shoot that allowed him to capture a panoramic image of the Tambora Volcano in Indonesia.
Mar 30, 202427
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