The Monkees' 'Pisces, Aquarius, Capricorn & Jones, Ltd.' Super Deluxe Edition Review (2026)

Get ready to dive into a musical time capsule, because The Monkees' 60th anniversary is just around the corner, and Rhino Records is pulling out all the stops with a jaw-dropping reissue of their 1967 masterpiece, Pisces, Aquarius, Capricorn & Jones, Ltd. But here's where it gets controversial: was this album a fleeting moment of artistic freedom for the band, or a turning point that redefined their legacy? Let's explore.

As the last surviving Monkee, Micky Dolenz, gears up for a new tour, this Super Deluxe Edition is a treasure trove for fans and collectors alike. But this isn't just a rehash—it's a deep dive into one of the band's most musically diverse albums, crafted during a brief window of creative control after the success of Headquarters. And this is the part most people miss: while the album features songs from established songwriters and rising stars, it’s Michael Nesmith’s contributions that truly steal the show. From the psychedelic opener Salesman to the country-rocking What Am I Doing Hangin' Round, Nesmith’s versatility shines. But let’s not forget the band’s innovative use of the Moog synthesizer—a bold move in 1967 that placed them ahead of their time.

The 4CD/1-7" box set, curated by producer Andrew Sandoval, is a labor of love. Disc one features the original stereo album alongside bonus tracks, including a remix that breathes new life into classics like Pleasant Valley Sunday—a Carole King/Gerry Goffin track that skewers suburban life with a killer guitar riff. Davy Jones’ Hard to Believe sparkles in the remix, and his Broadway-inspired vision for pop music feels eerily prophetic. But here’s a thought: did Jones’ theatrical flair pave the way for the rock musicals of the late ‘60s and ‘70s? Discuss.

Disc two mirrors the format with mono mixes, while discs three and four offer a treasure trove of sessions, alternate takes, and backing tracks. Highlights include Harry Nilsson’s piano prowess on The Story of Rock and Roll and Stephen Stills’ bass work on Come On In. But what’s truly fascinating is the raw, unfiltered moments—like Micky Dolenz struggling with a strained voice during Words vocal sessions. It’s a fly-on-the-wall experience that humanizes the band.

The set’s design, by Now Sounds’ Steve Stanley, is a feast for the eyes, complete with a 32-page booklet, rare artwork, and Colgems-style Rhino labels. But here’s the burning question: is this the final box set in Rhino’s album reissue series? While a set for Changes seems unlikely, fans are already clamoring for more. Until then, this collection is a must-have—a definitive celebration of The Monkees’ creativity and enduring legacy.

So, what do you think? Is Pisces, Aquarius, Capricorn & Jones, Ltd. their most innovative album, or just a product of its time? Let us know in the comments!

The Monkees' 'Pisces, Aquarius, Capricorn & Jones, Ltd.' Super Deluxe Edition Review (2026)
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