Get ready for a theatrical journey like no other! One Day, a beloved novel, has taken on many forms, from a hit novel to a forgettable film, and now, it's set to captivate audiences as a musical. But here's where it gets controversial... can this iconic love story truly be adapted for the stage?
David Greig, a renowned playwright, and Max Webster, an exceptional director, are taking on this ambitious project. Together, they've tackled everything from complex musicals to thrilling dramas, and now, they're ready to bring One Day to life. But it's not going to be an easy task.
The story of Dex and Em, spanning two decades, presents a unique challenge. With a near-iconic status, the pressure is on to do justice to this beloved tale. And let's not forget the 2011 film adaptation, which serves as a cautionary tale for any would-be adaptors.
However, the recent Netflix series, a massive hit in 2024, adds another layer of complexity. Can One Day be adapted too many times? Can the musical truly capture the beauty and devastation of the TV series? The creative team seems confident, stating that their process is unique, almost like sculpting a butter version of One Day.
As we delve deeper, we find the team hard at work, with rehearsals in full swing. Greig's script is almost complete, and the songs, composed by the talented Abner and Amanda Ramirez, are being crafted. The choreographer, Carrie-Anne Ingrouille, is bringing Dex and Em's love story to life, step by step.
Webster, almost giddy with excitement, highlights the challenges: changing and growing over 20 years, reflecting on British history, and capturing the texture of life. It's a tall order, but the team has a plan.
Song is their secret weapon. Greig believes that the Ramirez duo's enthusiasm for the novel will shine through. Their obsession with One Day, he says, is a miracle, as people from all walks of life connect with the story.
The Ramirez duo's backstory is almost too perfect. They met after a church service, and their collaboration extends beyond music, including podcasts and cooking shows. Their songs, a blend of pop, folk, and country, are deeply personal and sensitive.
The talented Jamie Muscato and Sharon Rose will bring the music to life, with their truthful acting and virtuosic singing. The goal is to elevate the novel's critical moments, making them powerful enough for the stage. Webster believes that song can transform small moments into something huge, filling the theater with emotion.
The ordinariness of Nicholls's novel is what makes it so special. Webster aims to capture this quality, showcasing the extraordinary in everyday lives. Em and Dex aren't world-beaters, but their story is a testament to the importance of ordinary lives.
To recreate the intimacy of the novel, the team is transforming the Lyceum into a round, with cabaret-style seating. Audiences will be close to the action, sharing Em and Dex's journey from the Pear Tree pub, where their story begins.
Premiering in Edinburgh, the birthplace of Em and Dex's tale, is a deliberate choice. Greig, former artistic director of the Royal Lyceum, believes the Edinburgh audience will be the perfect first step in this new chapter.
Webster highlights the practical benefits of this collaboration, a synergy between subsidized and commercial work. The craftspeople at the Lyceum bring their expertise, while the commercial aspect enhances the Arts Council-funded building.
But ultimately, this show is for the Ems and Dexes, the unsung heroes of everyday life. Greig is writing with his wife, Lucie, in mind, as they share a special connection with the novel's timeline.
One Day: The Musical is set to premiere at the Royal Lyceum theater in Edinburgh from February 27th to April 19th. Will it capture the hearts of theatergoers and One Day enthusiasts? Only time will tell.
What do you think? Can a musical truly do justice to a beloved novel? We'd love to hear your thoughts in the comments!
